Absent Sounds Archive

Brendan Wright has been making music as Tiberius for the better part of a decade, quietly, in bedrooms and basements in Allston-Brighton, and then slowly, with a merry band of friends-turned-family. Troubadour is a record about love, loss, and limerence in between. About the specific shame that gets baked into you before you have the language for it, and the ways we measure ourselves against false scaled. By the time we spoke, the record already felt like it was made by someone he'd slightly outgrown. And by the time this has reached you, probably even more so. But that distance didn't make the record any less true. If anything, it made it more.Transcript available here: https://deeandjue.me/2026/04/05/tiberius-interview/

Hannah Frances is a composer, vocalist and guitarist, whose second album was one that has literally been spinning on repeat in our car. Spanning progressive rock, avant-folk, and jazz, the record navigates the ongoing, non-linear work of healing, with arrangements featuring contributions from Daniel Rossen of Grizzly Bear. Weajue spoke with Hannah at the tail end of her six-show tour, in Toronto at the Baby G. In this episode, we play the album in full and talk about uncovering what needed to be felt. Also airing in the second half of the program: Humanhood by the Weather Station, her seventh studio album, released January 2025 on Fat Possum.

Graham Johnson has been making music as Quickly Quickly since before most people had the language for what he was doing. When we first encountered his music, I couldn’t describe to to anyone either. This conversation catches him in reflection of figuring out what comes next. I Heard That Noise is his most distilled record yet, with beats infused acoustic songs carrying production jump scares, built almost entirely in a windowless basement with red carpet and a knockdown ceiling he eventually put his fist through. We talked about the noise you surround yourself with so you don't have to be alone with your thoughts. About spending three years and one new laptop on a single song. About what it means to finish something that started as a different version of you, and learning to let it go.Transcript available here: https://deeandjue.me/2026/03/09/quickly-quickly-interview/

It's been four years since our first conversation with John, and this time we catch him in person during his stop in Madison Heights, MI for his Midwest tour supporting his new record.A lot has changed in four years, but the comfort his music brings his listeners has not. Unlike his other records, Joyful Noise is his most explicitly worship-focused project—yet it was the one that almost killed him to make.We talked about creative exhaustion and surrender. About the "embarrassment" of being a Christian artist. About bringing your anger and sorrow to God and a suffering savior who knows.It's a deeply honest and deeply human conversation and we're really thankful we got the chance to chat again because he is someone we look up to :)

It's officially December, which means its officially snowing season. So what better way to welcome in the cold than an interview with cult classic band, Snowing. We sat down with Willow Brazuk and JR back when the sun was still around at New Friends Fest in Toronto—their first time ever playing in Canada. Also joined by our friends Paul and Zac from Farron Keep, we talked about the wonder that was their debut/last record: I Could Do Whatever I Wanted If I Wanted. The episode closes with music from Farron Keep's "The Weight of Rain" so tune in to hear it live on CJAM 99.1 FM Windsor-DetroitTranscript available here: deeandjue.me/absent-sounds

Char and Meredith of Soft Blue Shimmer, along with producer Corey Coffman, join Weajue for a conversation about "They Will Leave Us With Nothing." It’s a record about capitalism, bodily grief, and what we pass between us when the system leaves us with nothing. This three-sided emotional triangle made it one of the hardest albums Corey has ever produced, and make it all the more resonant for us today. Recorded at Taylor Creek Park in Toronto (my favourite :)

Alexei Shishkin makes music the same way he watches soccer: with an appreciation for improvisation. It's not often we're able to pay attention to the small moment that open into something larger but his record is all about the art of not overcomplicating it. On this episode of Absent Sounds, we have a good time playing through his debut Good Times and talk about how the album came together across a few days in Providence with producer Bradford Krieger. With a random word generator in hand, they quickly crafted a record that has squeezed much creative juice into our hearts. We also talk about his Treefort documentary, Carl Dennis, Microdisney, Pavement, and the difference between art and craft (I'm still figuring out that last piece). You can find an abridged transcript here.

Allegra Krieger joins Weajue for a conversation about her album Art of the Unseen Infinity Machine—a record that grapples with impermanence, and the liminal spaces of existence. We talk about the Infinity Machine as a mechanism moving through us, signs, talismans and dream. She explains the strange trinity of pain and joy and compromise, the act of absolving yourself and your body, the binary of here or not-here, and what it means to sit with the pull toward "over and out" when nothing is yours to keep. Recorded outside the Opera House in Toronto on the final night of her tour with Foxwarren. We end off the episode playing tracks from Foxwarren's latest record, 2.