A Very Good Year

We're now on Substack, and you can get more of the show for just a few bucks a month. Let's talk about it!

We welcome Film Twitter's favorite crime novelist, the Edgar Award-winning, New York Times-bestselling Megan Abbott, author of the new and spectacular "Beware the Woman." She joins us to walk through her favorite year of classic cinema: 1933, the end of the Pre-Code era, when women could be bad and men could be horny and movies could kinda-sorta reflect contemporary life candidly, for the last time for a long time.Sponsored by MUBI.

Kristen Meinzer was already a movie podcaster during her very good year, 2011 - when she noticed a trend of women behaving badly in mainstream movies that still makes her happy. The feisty co-host host of "Movie Therapy with Rafer & Kristen" and "By the Book" (and contributor to NPR's "Pop Culture Happy Hour") also offers up alternate takes on some of Jason's 2011 favorites, and joins us for our usual eye-rolling at the year's Oscar winners. Sponsored by MUBI.

When Jason was at SXSW, you didn't think we’d still be running episodes from that trip two months later, did you? Well, while he was there, he stopped by the University of Austin to chat with our pal Sergio Muñoz, who is a grad student in Film Production there; he’s also the host of the 300-plus episode strong “Esta-Okay” film podcast, where he reviews new releases and film festivals, AND he's an award winning filmmaker to boot. Join us as we talk about 1996, when we were in college and he was NOT EVEN BORN YET.Sponsored by MUBI.

Stephanie Zacharek - film critic for TIME magazine and Pulitzer Prize finalist - has always loved the movies of the 1940s. But 1946 is particularly special to her, because of the potent complexity of theme and emotion in these post-war pictures - and because of one film in particular, which pulls off the very rare A VERY GOOD YEAR hat-trick.

John Pierson wrote the definitive book about '90s independent cinema, "Spike, Mike, Slackers, & Dykes," and he wrote it from the inside - he was the producer's rep who made the deals that put such legendary pictures as "She's Gotta Have It," "Roger & Me," "Slacker," and "Clerks" on your screens. He brings that insider's perspective to our conversation about the year 1989, a crucial tipping point in the indie scene's move to the mainstream.