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During the Twelve Tubs of Christmas, Posh and Fab feel an emotion while watching the 1990 made-for-television movie Always Remember, I Love You, starring Patty Duke, Joan Van Ark and a teenage Stephen Dorff, about a $20,000 stolen baby.

Posh and Fab revise the original episode of And Just Like That featuring Big's funeral, where Samantha cockblocks florists and tries to hint how much she hates Carrie's podcast.

Posh and Fab attempt to remedy the Sex and the City sequel series, And Just Like That... by putting Samantha back in it. This week she gets down and dirty with a corpse, and confesses to how she really feels about Carrie's podcast.

Previously on Christine Lahti in Space: Each year students from Space Surf Academy, travel to the edges of the universe to the ride the waves of the treacherous constellation Gnarlapagus, and Dr Christine Lahti has been assigned to the medical tent where she meets a bookish male nurse named Scott Scanlon. When Scott fails to show up for his next shift, Dr Lahti is concerned that he may have been sucked into Gnarlapagus’s largest nebula, but little does she know he is a double agent for Sham None Dough Arty, with plans to lure her to the nebula and trap her inside for eternity. Pencil gets a toe ring.

Previously on Christine Lahti in Space: Get in losers, we’re going shopping! The Boss (Alyssa Milano in one of her many nuanced roles) has shut down the Space Hospital for deep sanitation and pencil restocking, so the staff make a trip to West Asteroid Field, the galaxy's greatest space mall. Dr Christine Lahti wants to buy cute pinstriped dungarees for her crested gecko Sunset, the retired discount hairdresser played by Special Guest Star Heather Locklear is looking for extra wig pieces to give more volume to her already very large hair, and Space Nurse (Alyssa Milano again) has a secret meeting in the Space Mall Chapel.

Posh and Fab watch the 1990 made for television movie A Mom For Christmas, starring Olivia Newton-John as a mannequin who becomes a mother through the magical powers of Doris Roberts and her floating feather duster. That is the most sensible and comprehensible part of the movie, the rest is pure visual gibberish.