REVOLUTIONS PER MOVIE

My guest this week is Steve Young (writer for Late Show w/ David Letterman & The Simpsons; co-author of Everything's Coming Up Profits: The Golden Age Of Industrial Musicals & the star of the Bathtubs Over Broadway documentary). We discuss Steve’s iconic work writing for David Letterman (including producing the opening monologues for 11 years) and how it led him on a life-long journey that he never expected: becoming immersed in the world of Industrial Musicals.  We also talk about Steve finding his voice as a comedy writer, the workload and stress of nightly comedy writing, Dave’s Record Collection, the stigma to being an industrial musical performer, how so many people from the punk rock world including Don Bolles & Jello Biafra were also collecting these incredible records, Martin Short's time in industrial musicals, composer Hank Beebe, how Steve felt about being the subject of a doc, how industrial musicals are still being made today, why The Bathrooms Are Coming is perfection on vinyl, the journey of Steve befriending and forming deep friendships with the composers, performers and artists involved in these incredible shows, and more.So...shh...reduce the din....your Revolutions Per Movie's sales meeting...is about to begin!STEVE YOUNG:https://www.steveyoungworld.com/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film, or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon (over 125 bonus episodes are available and counting). If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it is at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes and series such as A Very Opinionated Look At Urgh! A Music War & What Makes The Midnight So Special?, A Devotees Look At New Wave Theater, Exploring The Axis: The Oral History Of Frontier Records With Lisa Fancher, Dips On Chips w/ Jeff McDonald of Redd Kross, physical goods such as a limited edition 7" Flexidisc, and other exclusive goods that I send out to you for supporting the show. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand

Welcome to this ENCORE PRESENTATION of classic REVOLUTIONS PER MOVIE episodes from the vaults.Today, we pay tribute to filmmaker Brian Lindstrom, who sadly passed away recently, with this incredible discussion about the film he co-directed, LOST ANGEL: THE GENIUS OF JUDEE SILL, with his co-director Andy Brown & Aquarium Drunkard's Jason P. Woodbury. Anyone who had the pleasure of knowing or working with Brian will tell you he was one of the kindest, wisest, and big-hearted people ever, and his filmmaking absolutely reflected that. If you haven't seen his films Lost Angel, Mothering Inside, or Alien Boy yet, please take the time to spend with these incredibly powerful films. He will be missed.(Episode 39 originally aired on June 6th, 2024).This week, I’m joined by JASON P. WOODBURY (of Aquarium Drunkard) and filmmakers BRIAN LINDSTROM & ANDY BROWN to discuss their incredible new film LOST ANGEL: THE GENIUS OF JUDEE SILL. We talked about Judee Sill’s gnostic relationship to her music and how she backed it up in her lifestyle, what our introductions to her music were like, Sill’s disdain of being lumped in with Christian Rock & opening for rock bands, her influence on Andy Partridge of XTC, how the filmmakers shaped the film over the past ten years, Tooth & Nail Records, the mythologizing of a subject’s life in documentary filmmaking, Asylum Records and her ups and downs with David Geffen, Some Kind Of Monster, Sill’s vulnerability and ego in her diary writings and drawings, how they chose to animate Sill’s artwork and found her voice, Sill’s influence on a new generation of musicians, her iconic Old Grey Whistle Test performance of “The Kiss,” how the film addresses childhood trauma, addiction, and resilience, what parts of Sill’s life didn’t fit into the film, and the power of Alice Coltrane, Sun Ra, Guided By Voices & SST Records.So join us as we talk about one of the greatest songwriters to ever be part of the cosmos, Judee Sill, on this week’s Revolutions Per Movie.WATCH LOST ANGEL: THE GENIUS OF JUDEE SILLhttps://greenwichentertainment.com/film/JASON P. WOODBURY:https://jasonpwoodbury.comREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film, or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon (over 125 bonus episodes are available and counting). If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it is at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes and series such as A Very Opinionated Look At Urgh! A Music War & What Makes The Midnight So Special?, A Devotees Look At New Wave Theater, Exploring The Axis: The Oral History Of Frontier Records With Lisa Fancher, Dips On Chips w/ Jeff McDonald of Redd Kross, physical goods such as a limited edition 7" Flexidisc, and other exclusive goods that I send out to you for supporting the show. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand

For this week's Encore Presentation of Revolutions Per Movie, I bring you an incredible discussion with Mark Webber of Pulp, where we discussed everything from Mark's unique path into the band (tin foil, anyone?) and how we can never escape the mighty imprint of The Velvet Underground. Enjoy!(Episode 80 originally aired on March 13th, 2025).ORIGINAL SHOW NOTES:This week, we are joined by PULP's MARK WEBBER to discuss what was to be the most influential documentary of his life, THE SOUTH BANK EPISODE ABOUT THE VELVET UNDERGROUND.  We discuss Mark’s path from making fanzines (including interviewing Mo Tucker), & running the Pulp fanclub to eventually joining PULP as they embarked on their classsic records (DIFFERENT CLASS, THIS IS HARDCORE & WE LOVE LIFE), how Pulp composes music, being too young to get the Velvet Underground on first listen, the sweet spot of interviewing the Velvet Underground at the time of this documentary, Warhol's Factory, Mark’s first time in NYC paying homage to his NYC heroes, Jonas Mekas, record store clerk suggestions, Spaceman 3, Pulp in 1978, the highs and lows of being in your favorite band, Mark’s decades-long curation and research of experimental film, David Bowie as a direct line to the Velvet Underground, I Shot Andy Warhol, Bridget Berlin, Cat Power, Mark trying to do his own version of Warhol's Exploding Plastic Inevitable for Pulp called The Day That Never Happened, John Cale and Lou Reed’s solo work, Mark getting to witness the Velvet Undeground reunion shows in person, The Pulp People Accommodation Register, Nico and more!!!So let's wrap some trees in tin foil and start the lights strobing on this week's episode of Revolutions Per Movie!MARK WEBBER:hatandbeard.com/products/im-with-pulp-are-you-by-mark-webberhttps://markwebber.org.uk/archive/about/https://welovepulp.info/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film, or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon (over 125 bonus episodes are available and counting). If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it is at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes and series such as A Very Opinionated Look At Urgh! A Music War & What Makes The Midnight So Special?, A Devotees Look At New Wave Theater, Exploring The Axis: The Oral History Of Frontier Records With Lisa Fancher, Dips On Chips w/ Jeff McDonald of Redd Kross, physical goods such as a limited edition 7" Flexidisc, and other exclusive goods that I send out to you for supporting the show. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand

My Mom passed away this week, so I will be taking a few weeks off to take care of some family matters. I hope you enjoy this tribute to my Mom, and I will be back soon.Thanks everyone,Chris Slusarenko, Revolutions Per MovieKay Slusarenko: "I’m asked sometimes why I do installations - why I make art based on the aesthetic experience which in the end cannot be fully described, depicted, recorded or explained, and is expensive to build and impossible to sell. All I can say is this is what I'm passionate about. Maybe it also has to do with my background in music. I went to the University of Idaho on a music scholarship and although I switched to art after my sophomore year music has continued to be a major part of my life. There is an emotional response I receive when listening to music which I seldom have when I'm looking at art. Music surrounds me, enters my body and makes me know that I'm alive. Installation work is the closest I have found to duplicating this experience.”

For this week's episode, I convinced my guest, comedian/actor Eugene Mirman (Bob's Burgers, Flight Of The Conchords, Delocated), to let me record my 500th episode 7 years in advance in order to capitalize on his star power.We discuss the magic of comedy albums & comedy concert films; recording visual comedy for an album, Eugene’s 7 LP Sub Pop masterwork I'm Sorry (You're Welcome), which includes 45 minutes of him crying and 159 orgasms, Eugene's scrapped "jokes for animals", his new LP & video special Here Comes The Whimsy, Eugene pushing the boundaries of a physical audio release by having it also available as a chair or a sack of flour that you have to carry around like a baby, how Eugene records his parts for the Bob's Burgers' songs. PLUS Eugene surprises me with a music film (5 minutes before recording) to discuss: "What The Hell Happened To Blood, Sweat & Tears," which is about the band being blackmailed into performing behind the Iron Curtain by the U.S. government.So let's join Eugene in sending fifty tap shoes to a restaurant of his choice on this week's episode of Revolutions Per Movie!EUGENE MIRMAN: www.eugenemirman.comprettygoodfriends.comHERE COMES THE WHIMSY: EUGENE'S NEW FULL STAND-UP SPECIAL:www.youtube.com/watch?v=JHPEaN1DxKwREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film, or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon (over 125 bonus episodes are available and counting). If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it is at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes and series such as A Very Opinionated Look At Urgh! A Music War & What Makes The Midnight So Special?, A Devotees Look At New Wave Theater, Exploring The Axis: The Oral History Of Frontier Records With Lisa Fancher, Dips On Chips w/ Jeff McDonald of Redd Kross, physical goods such as a limited edition 7" Flexidisc, and other exclusive goods that I send out to you for supporting the show. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand

My guest this week is NYC-based musician, author, and performance artist Joseph Keckler (NPR's Tiny Desk, tours with Lydia Lunch & Sleater-Kinney), who chose the 1929 two-reeler short St. Louis Blues, which is the legend Bessie Smith's first and only film appearance. We discuss Joseph’s iconic performance on NPR’s Tiny Desk Concert Series, how he came to unleash his powerful vocal range on a wide range of audiences, choosing to write and sing in German about the adult moments where he was relapsing into a teenage Goth, befriending and touring with Lydia Lunch, Bebe Hansen, the current No-Wave scene in NYC, the excitement of having a standoff with an audience, opening for Sleater-Kinney, confusing but life-altering concert billings, where we both were when first hearing Bessie Smith and the imprint it left on us, why this 1929 short film of Bessie Smith was almost destroyed in the 50s, tape trading with The Residents, hearing Aretha Franklin's voice coming up through the floorboards and being obsessed with Cab Calloway & Bessie Smith as a child, Bessie’s acting chops and the unique direction of this performance & more.So let's sing at the top of our lungs into the bottom of our beer mug on this week's Revolutions Per Movie.Joseph will be performing on May 31st 2026 in NYC at TV EYE w/ Genre Is DeathTickets available at tveyenyc.com/calendarJOSEPH KECKLER:josephkeckler.com/BESSIE SMITH in ST. LOUIS BLUES:youtube.com/watch?v=xIGscPYfEGsREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film, or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon (over 125 bonus episodes are available and counting). If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it is at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes and series such as A Very Opinionated Look At Urgh! A Music War & What Makes The Midnight So Special?, A Devotees Look At New Wave Theater, Exploring The Axis: The Oral History Of Frontier Records With Lisa Fancher, Dips On Chips w/ Jeff McDonald of Redd Kross, physical goods such as a limited edition 7" Flexidisc, and other exclusive goods that I send out to you for supporting the show. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand