The Rewind Movie Podcast

“What's this? Another glorious battle for the kingdom?” We’re heading to the stifling summer heat of Tulsa, Oklahoma for Francis Ford Coppola’s lyrical, monochromatic 1983 teen dream Rumble Fish. In the absence of his living-legend older brother, known only as The Motorcycle Boy (Mickey Rourke), hot-headed would-be gang leader Rusty James (Matt Dillon) is called out for a fight that he is only too ready to agree to, much to the concern of his straitlaced girlfriend Patty (Diane Lane). But when the Motorcycle Boy dramatically returns, seemingly from a trip to California, his inscrutable behaviour and mysterious half-smile unsettle those around him - all except Rusty, who follows him everywhere, desperate to return to the simple, yet violent, gang days that he longingly recalls. But for The Motorcycle Boy, time has run out on those days, and, perhaps, is running out entirely…Following a brutal few years of financial disappointment and overblown, physically and psychologically draining projects, Coppola shot Rumble Fish back-to-back with another adaptation of a novel by the same author, S.E. Hinton, so enjoying the opportunity to work on a manageable scale and in a spirit of unfettered collaboration and creativity in isolation from the Hollywood machine. Seeking to infuse a youth-oriented product with genuine philosophical and artistic depth, he mined his own childhood idolisation of his older sibling, while retaining the source novel’s flights of mythical high-mindedness and narrative idiosyncrasies. Film-picker Devlin recalls his long-standing love of this oft-overlooked entry into Coppola’s post-Apocalypse Now filmography, as first-time-viewers Patrick and Gali, and fellow fan Matt, dive into this lush, idiosyncratic, angular feature.You can find an exclusive poster design created by Devlin for this feature as a gallery-grade giclee print at his Etsy store, and a standard poster and t-shirts featuring the same design at our Teemill - along with another poster of this episode’s cover sketch.Get in touch with us on Twitter, Instagram and Facebook, and if you'd like to submit a request, correct our constant mispronunciations, or have a chat about whatever is on your mind, you can email rewindmoviepodcast@gmail.com. Thanks for listening!

“Back home, they would have put me in jail for what I'm doing. Here, they're giving me awards.” We’re heading to the neon oasis in the desert for Martin Scorsese’s grandiose 1995 Vegas-set crime epic Casino. In 1973, gambling savant Samuel “Ace” Rothstein (Robert De Niro) is dispatched by his mob bosses from ‘back home’ to take over their luxe Tangiers casino - quickly raking in record profits with his fastidious management. He’s soon joined by his hair-trigger childhood friend/enforcer NIcky Santoro (Joe Pesci), who quickly complicates matters by seeking his own sources of income and beating and maiming anyone who gets in his way. Ace finds himself another complication - a beautiful, free-spirited hustler named Ginger (Sharon Stone) who he quickly marries despite her reservations - and her sleazy former pimp (James Woods) whose influence she can’t seem to break free of. As control gives way to chaos, the pull of cash and power threatens to unravel this lucrative gambit, and everyone involved. Working from another book by Goodfellas scribe Nicholas Pileggi, Scorsese brings back two key on-screen players (and a few familiar supporting faces) from that seminal feature for another era-spanning, violent, complex tale of organised crime. While greeted with a decent reception, it was criticised somewhat as a partial retread of its groundbreaking forebear, and has slipped out of contention for the upper echelons of Scorsese’s packed filmography. Join fIlm-picker Gali, Devlin, Patrick, and Matt in the morality car wash as we ask whether Ace was onto another winner, or if we shoulda already dug a hole. Head over to our Teemill store for merchandise, movie shirts, art prints, stickers, totes and more. If you’d like to support the podcast, a review or a quick rating on your platform of choice is the best way you can help us get the word out and keep the conversations flowing. Get in touch with us on Twitter, Instagram and Facebook, and if you'd like to submit a request, correct our constant mispronunciations, or have a chat about whatever is on your mind, you can email rewindmoviepodcast@gmail.com. Thanks for listening!

Welcome to The Open Slate! Ever sat through the credits and wondered why there needs to be a Second 2nd Assistant Director? Or what the Best Boy is supposed to be the best at? In this series, we sit down with working film industry professionals from across the departments for unvarnished, honest, practical conversations about how and why they joined the movie business, how they contribute day-to-day to the creation of cinema, and how they maintain their careers in a high-pressure, highly sought after field.Our guest is no stranger to the podcast - two-time Rewinder (and friend of almost 20 years!) Aidan Dungait. A native of the north east of England, Aidan’s post-university career saw him learn the ropes as a camera assistant on everything from indie horror films, to Brit Comedy sex romps, to prestige TV dramas, and plenty in between. After relocating to Vancouver several years ago, he has reestablished himself as a focus puller on a raft of features and major studio television projects. He joins Gali and Patrick to discuss his life in film to date - his setbacks, successes, and what it is about movie-making that keeps him inspired.Special Mentions:www.unorthodoxroasters.co.uk Head over to our Teemill store for merchandise, movie shirts, art prints, stickers, totes and more. If you’d like to support the podcast, a review or a quick rating on your platform of choice is the best way you can help us get the word out and keep the conversations flowing. Get in touch with us on Twitter, Instagram and Facebook, and if you'd like to submit a request, correct our constant mispronunciations, or have a chat about whatever is on your mind, you can email rewindmoviepodcast@gmail.com. Thanks for listening!

Welcome to The Open Slate! Ever sat through the credits and wondered why there needs to be a Second 2nd Assistant Director? Or what the Best Boy is supposed to be the best at? In this series, we sit down with working film industry professionals from across the departments for unvarnished, honest, practical conversations about how and why they joined the movie business, how they contribute day-to-day to the creation of cinema, and how they maintain their careers in a high-pressure, highly sought after field.First up is Rewind’s very own Patrick Waggett, an Assistant Director with dozens of credits including a host of major series and feature films for some of the biggest studios in the world. Gali charts his career from the early days of commuting hundreds of miles from his native Leicester for gigs and sleeping on couches, to having his phone nicked on-screen by Kylie Minogue, to establishing his life in London and regularly working with super famous stars on massive-scaled productions.Stay tuned for more insights into the industry as we continue this series – we have upcoming chats with camera department veterans, actors, producers and a whole lot more in the pipeline.Useful links discussed in this Episode:www.screenskills.comwww.fullyfocusedproductions.comlargescalefilm.co.ukcalltimecompany.combectu.org.ukSpecial Mentions:YouTube movie review channel Val Verde Broadcasting!You can find Em’s 200-episode-strong treasure trove of the history and legacy of movies you know (and movies you don’t) at verbaldiorama.com, where you’ll find links to all major platforms, and give her a follow @verbaldiorama.Head over to our Teemill store for merchandise, movie shirts, art prints, stickers, totes and more. If you’d like to support the podcast, a review or a quick rating on your platform of choice is the best way you can help us get the word out and keep the conversations flowing. Get in touch with us on Twitter, Instagram and Facebook, and if you'd like to submit a request, correct our constant mispronunciations, or have a chat about whatever is on your mind, you can email rewindmoviepodcast@gmail.com. Thanks for listening!

Big things have small beginnings. Our LV-RMP series, where we explore every film in the Alien and Predator universe, finds director Ridley Scott making his long-awaited return to the genre, and franchise, that launched his illustrious career with the heady quasi-prequel Prometheus.A duo of young, ideologically divergent archeologists (Noomi Rapace, Logan Marshall-Green) believe they have deciphered a star map gifted over millennia by a mysterious race of celestial beings. Funded by the recently deceased centenarian billionaire Peter Weyland (Guy Pierce), they assemble an exploratory crew that sets out seeking to discover the origins of human life on Earth on a distant, mysterious moon - but may not find the answers they seek.Ineffable black goo, eyeball worms, ill-advised intergalactic snake charming, flambéed geologists and graphic MedPod alienectomies ensue in this grand, divisive feature that, over a decade on from its release, continues to provoke fierce reactions and contradictory emotions. Gali, Devlin, Patrick and Matt reflect on their own contentious histories with the film and, in most cases, rewatch for the first time since its release.Head over to our Teemill store for merchandise, movie shirts, art prints, stickers, totes and more. If you’d like to support the podcast, a review or a quick rating on your platform of choice is the best way you can help us get the word out and keep the conversations flowing. Get in touch with us on Twitter, Instagram and Facebook, and if you'd like to submit a request, correct our constant mispronunciations, or have a chat about whatever is on your mind, you can email rewindmoviepodcast@gmail.com. Thanks for listening!

Compliance! We’re taking to the skies with the 1986 family sci-fi spectacular Flight of the Navigator from director Randal Kleiser.12-year-old David Freeman (Joey Cramer) walks through the woodlands near his Florida home to bring his irritating little brother back home before it gets dark. Instead, after losing consciousness due to a fall, David returns to his home only to find that his parents are no longer there - eight years have passed, without David having aged a day. When NASA scientists discover a mysterious silver ship, it becomes apparent that the two events are connected, and they bring the boy into their research facility. The ship seems to call to David, leading to a visually stunning thrill ride across the planet.Devlin, Patrick and Matt reflect on a childhood TV staple, discussing the film’s impressive and in some cases pioneering visual effects, the era-defining mix of buccaneering tween adventure melancholy-tinged drama, and the surprisingly heavy themes among all the Paul Reubens intergalactic improv.Head over to our Teemill store for merchandise, movie shirts, art prints, stickers, totes and more. If you’d like to support the podcast, a review or a quick rating on your platform of choice is the best way you can help us get the word out and keep the conversations flowing. Get in touch with us on Twitter, Instagram and Facebook, and if you'd like to submit a request, correct our constant mispronunciations, or have a chat about whatever is on your mind, you can email rewindmoviepodcast@gmail.com. Thanks for listening!

OUTLANDER! We’re lost on the back roads of Nebraska, following the disorientating street signs to the Bargain Bin to revisit the cut-price kid cult King flick Children of the Corn from 1984.Newly-graduated doctor Burt (Peter Horton) and his girlfriend Vicky (Linda Hamilton) are in the process of relocating to Seattle, but their route takes them past the small rural community of Gatlin – a town where, unbeknownst to them, the children have risen up and slaughtered their parents to establish a rabid religious sect that worships an entity known only as He Who Walks Behind the Rows, who speaks through the pint-sized evangelical orator Isaac (John Franklin) and whose demands for sacrifice and total obedience are enforced by the lanky and violent Malachi (Courtney Gains).Debuting director and former advertising standout Fritz Kiersch adapted Stephen King’s short story for a post-Roger Corman New World Pictures, agreeing to a low budget in order to gain a foothold in feature films. A modest box office success, the film went on to generate an extensive and unlikely franchise of more than 10 follow-ups, due to its enduring appeal on video and TV. But will Gali, Devlin, Patrick and Matt find themselves a juicy cob of horror entertainment, or just an empty husk?Head over to our Teemill store for merchandise, movie shirts, art prints, stickers, totes and more. If you’d like to support the podcast, a review or a quick rating on your platform of choice is the best way you can help us get the word out and keep the conversations flowing. Get in touch with us on Twitter, Instagram and Facebook, and if you'd like to submit a request, correct our constant mispronunciations, or have a chat about whatever is on your mind, you can email rewindmoviepodcast@gmail.com. Thanks for listening!

We’re joined once again by our good friend Aidan all the way from Vancouver to discuss one of his childhood favourites, Martin Brest’s foulmouthed 1988 buddy caper Midnight Run.Disgraced former Chicago cop Jack Walsh (Robert De Niro), now working as an LA bounty hunter, is tasked with bringing in mob accountant Jonathan “The Duke” Mardukas (Charles Grodin), who has skipped town on his desperate bondsman Eddie Moscone (Joe Pantoliano). The Duke has embezzled $15 million from mafia boss Jimmy Serrano (Dennis Farina), giving most of the loot away to charity before going into hiding. Jack tracks The Duke down in New York, and has 5 days to bring him back to jail or Eddie forfeits almost half a million dollars in bail. After The Duke gets himself and Jack kicked off a plane by feigning an aviophobic panic attack, the pair spend a gruelling and contentious cross-country trip by rail and road, as the fussy, wily Duke tries to wheedle away from the slovenly and cranky Jack.A showcase for De Niro’s comic skills after a long run of features which saw him established as one of serious cinema’s most celebrated actors, the film pairs him with Grodin, who had essayed a number of well-received comic roles across cinema, theatre and TV through the 70s and 80s without breaking through as a leading man. Director Brest returns to the high-octane combination of screwball dialogue and explosive 80s action that he pioneered in Beverly Hills Cop to create a sizeable commercial success that has sustained a cult following in the years since. Rustle up some Lyonnaise potatoes and join us in the boxcar.Head over to our Teemill store for merchandise, movie shirts, art prints, stickers, totes and more. If you’d like to support the podcast, a review or a quick rating on your platform of choice is the best way you can help us get the word out and keep the conversations flowing. Get in touch with us on Twitter, Instagram and Facebook, and if you'd like to submit a request, correct our constant mispronunciations, or have a chat about whatever is on your mind, you can email rewindmoviepodcast@gmail.com. Thanks for listening!